Friday, March 6, 2015

Jenkins (2006) Convergence Culture



3 – convergence – flow of content across multiple media platforms

Circulation dependent upon consumers’ active participation

4 – collective intelligence – coined by Pierre Levy, consumption as a collective process.  It’s an alternative source of media power because we all know a little of something and now we can put it together.  Right now it’s recreational, but might soon be more serious – like politics

18 – Convergence can be corporate (top-down) or consumer (bottom-up).  They co-exist.  Convergence reshapes the relationship between producers and consumers (19)

23 – Not 100% Habermas – Digital Divide – not just access, but mastery of skill to participate***

61-62 – Affective Economics -  from the Industry side to seek a ROI – return on investment.  It seeks to quantify desire.  It seeks to understand the emotional underpinnings of consumer decision making as a driving force behind viewing and purchasing decisions. – “mold consumer desires to shape purchasing decision”.  Jenkins sees this as fans having greater control over the content of programming.  But he admits to the caveat: “to be desired by the networks is to have your tastes commodified.” (p. 62)  This commodity for Jenkins gives fan groups greater cultural visibility, but he also recognizes the exploitation factor.

p. 63 – affective economics has both positive and negative implications (Jenkins)  However, the power that Jenkins celebrates for fans to challenge corporate decisions I think is far outweighed by the negative labor exploitation.

64 - *** “Affective economics sees active audiences as potentially valuable if they can be courted and won over by advertisers.”

133 - ***Distinction between Interactibvity and Participation****
Interactivity – is constrained by technology and how we use it (ex. Television and tivo).  Participation is shaped by cultural and social rules – less under the control of media producers and more under the control of media consumers! (like talking in a movie theater – some cultures accept it over others)

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